Behind the Scenes of the Music Industry

Coco Sian Ryder hails from an iconic British musical lineage” (Donovan, Happy Mondays, Rolling Stones). In this lengthy interview with Gareth Icke (David Icke’s son), she talks about her childhood, steeped in creativity, a world away from the excesses of show business, but also marked by dark moments, manipulation and strange memories. 

She points out that the artistic world is saturated with psychological imbalances, perversions and unhealthy behaviours, not always visible from the surface, and addresses the ‘dark side’ of the music industry, tinged with mind control and occultism, illustrated by the 27 Club (rock stars who died at the age of 27), which includes Brian Jones —  the father of her uncle Julian (son of her maternal grandmother). 

She also mentions infiltration by a global interconnected network involving cults, intelligence agencies, the entertainment industry, criminal organisations and finance. These groups cooperate on the basis of a covert network of reciprocity, “I know someone who knows someone...”, in order to gain power, money and spiritual and mental control over the masses. She also stresses the ‘organic’ nature of this network — not one global conspiracy, but a multitude of temporary and fluid alliances.

According to her, some artists are consciously involved while others are manipulated unawares, but all the big stars (Mick Jagger, Taylor Swift) act as antennas, energetic conduits. They are not the ultimate target: their influence serves to condition the masses. 

In this regard, Coco draws a parallel between mind control programmes (Monarch, MK Ultra) and contemporary mass manipulation, particularly during the Covid crisis. She also recounts how artists are methodically isolated, surrounded by manipulative agents who alienate them from their loved ones, as she was able to observe within her own family.

Finally, she rejects the naive idea of ‘backwards messages’, popularised in the 60's, explaining that true programming occurs at a subconscious and symbolic level, and pointing to the presence of paedophile symbols and esoteric overtones in modern popular culture. 

In her final words, she encourages us to learn the basics of mind control and manipulation tactics so we can escape them, saying that awareness is the best defence because “it's awareness that dissolves the spell”. 

In other words, without falling into the matrix’s involutionary trap of so-called ‘evolution’ and ‘spirituality’ — which, incidentally, has nothing to do with Spirit but with the Sandman and his vast network of interconnected sandboxes, which are great channels for vibrational recycling — it's all about an energy industry of entertainment where creativity is turned into an instrument of vibrational enslavement; a gradual assimilation of consciousness by popular culture, through fascination, polarisation and hypnotic suggestion; and the need for vibrational discernment because everything that ‘feeds the imagination’ also feeds the archontic hive.

And speaking of vibrational discernment, I had to smile when Coco Ryder mentioned Taylor Swift and Bono. I've always had an immediate and inexplicable visceral aversion to the former. As for the latter, a brief conversation with him in the 80's had left me with a very strange, even uncomfortable feeling. Yet it took me all these years to stop rationalising my vibrational readings — a subject I will address very soon in a short video.

© La Pensine Mutine. All rights reserved. Reproduction prohibited.

Share: