FR
The righteous rise with burning eyes
"Witch Hunt", Rush (1981)
Of hatred and ill-will
Madmen fed on fear and lies
To beat and burn and kill
It's pumpkin season again! What was once turnip season is now only used to refer to bad scripts and cowards in French. Like the 10 of Spades or its tarot card equivalent, showing a character lying face down on the ground, with ten swords stabbed into his back, October is a dark month, often filled with a sense of dread and foreboding. Known in occult circles as Red October, the month of harvest, bloodshed, stagnation and loss of control, ends with masquerades where people pretend to scare each other by dressing up as monsters, ghosts or witches in order to be on the safe side. But number 10 is also a symbol of transition, like a bridge between two worlds, since death, in the true sense, is nothing more than a transfer from one state to another. Furthermore, in the Lenormand Oracle, the 10 of Spades is paired with a ship sailing away towards unknown shores — a possible reference to Charon's boat?1
Burn the Witch
The myth surrounding witches reflects the abysmal depths of human ignorance, the hypocrisy of religions, and the psychopathic entities they worship. As French historian Michel Pastoureau wrote, “witches are not a phenomenon of the Middle Ages but of the modern era.” Indeed, hatred towards the feminine principle is nothing new, but now seems to be reaching new heights. Simply consider the increasingly violent abuse of transgender propaganda, or extreme religious obscurantism, attempting to impose their rules and views in Western civilisations.
Contrary to popular belief, it was not during the Middle Ages that the greatest number of crimes against ‘witches’ were committed, but during the Renaissance. The women considered as such were generally from the working class and most were healers, midwives or herbalists, holding ancestral know-how that competed with the humanist creed based on science and knowledge (rather than knowing). Their practice was therefore labelled “magical” in order to justify witch hunts.
‘Witches’ posed no threat to men as individuals, but rather to the archontic system, which used institutions (the Church, the justice system, official medicine) to eliminate anything that would slip beyond its control.
They were thus blamed for knowing too much, much more than the established institutions themselves. Their knowledge of lunar cycles and natural correspondences also allowed them to break free from imposed patterns and touch upon the very structure of ‘life’. That's why they were accused of transforming or metamorphosing others, a distorted reflection of their vibratory ability to dissolve existing moulds and what the matrix wants to crystallise — in other words, they showed that matter is energy and that all energy is malleable.
That sly come-hither stare
"Witchcraft", Frank Sinatra (1957)
That strips my conscience bare
It's witchcraft
And I've got no defense for it
The heat is too intense for it
What good would common sense for it do?
A far cry from the archetypal ugly old woman with a wart on her nose, ‘witches’ were guilty of being independent and arousing desire in men. This is certainly the greatest untold truth, as it still pervades certain religions. Many witch trials were, in fact, fuelled by shameful male fantasies. As men were unable to control their urges, the blame was put on women as ‘temptresses’ or ‘friends of the Devil’. Weakness always seeks to blame, and the cognitive dissonance was too overwhelming for the so-called ‘stronger’ sex. To the benefit of the clique of the archons who manipulate human emotions.
Last but not least, as archetypes of the rebellious feminine principle (like Lilith, Adam's first wife, accused of tempting Eve in the guise of a serpent), witches served as a reminder that incarnation in the flesh cannot occur without this fundamental principle. In a world ruled by a jealous patriarchal god, such power is intolerable for it cannot be subdued.
Spells and Charms
And that's where the trap closes in: everything beyond institutional control was rebranded as ‘magic’. But what is magic, if not the soul in action?2 A force that manipulates forms, but without any connection to the spirit. However, a soul acting without its spirit always ends up creating its own shackles, as what it attracts through ignorance, it will sooner or later have to pay for.
The word sorceress (sorcière, as used in French) comes from the Latin sortiarius, ‘spell caster’, derived from sors, meaning 'fate' or 'destiny'. Magic is therefore a coded energy and a spell is an expressed intention that can be instantly broken by a supramental frequency (hence the importance of always vibrating at a high frequency). Non-consent will produce a boomerang effect that will not only render any act of magic ineffective, but this energy will have to find a target, and it will be those who emitted it who will suffer the consequences. The spell will thus rebound upon its authors with triple intensity.
Cover up in shade
"Witches' Song", Marianne Faithfull (1979)
Fly fast through the airwaves
Meet with pride and truth
Danger is great joy
Dark is bright as fire
It's worth noting that magic, whether black or white, remains the same, since it is once again a matter of swapping polarities. Polarisation is, moreover, a pernicious trap that must be overcome at all costs. Thus, praying for others is a form of magic, regardless of how noble the intention may be. Hence the well-known but misunderstood saying: “the road to hell is paved with good intentions”.
Furthermore, sort, the French3 for 'spell', is the same as sortir in the third person, which in this context means 'to step out'. A witch or sorceress is someone who breaks out of moulds and shatters boundaries. In its intransitive form, they stand out from the crowd, from the norm, and the matrix loops; in its transitive form, they expose what's hidden: knowledge, secrets, and invisible forces.
Treats or Tricks
But ‘taking out’ may also mean ‘unwrapping’. The matrix enjoys treating us to its glittering wrappers, promising solace and comfort. And as with Bertie Bott’s Every Flavour Beans, every bite is a gamble:
“You want to be careful with those,” Ron warned Harry. “When they say every flavour, they mean every flavour — you know, you get all the ordinary ones like chocolate and peppermint and marmalade, but then you can get spinach and liver and tripe. George reckons he had a booger-flavoured one once.”
Harry Potter and the Philosopher's Stone, J.K. Rowling (1997)
That's the image of the Matrix: attractive packaging, but unpredictable taste — and more often disgusting than delicious.
And when it comes to booby-trapped treats, narcissists are true master candy-makers. On the outside, they come wrapped in shiny, colourful paper. But inside, it's not chocolate: it's all recycled and repackaged digestive waste. One might think the smell would eventually give away the packaging, but unfortunately, they always manage to convince those around them that it is not them who smell bad, but their victim, whom they torment to breaking point.
These human wrapped candies are not just dysfunctional individuals: they often serve as relays for archons. Their role is to trigger an emotional reaction in the other person and then reverse roles. They provoke, harass and manipulate until the victim breaks down. Then they point the finger: ‘See, HE (or SHE) is the monster.’ And as long as no one dares to unwrap the foil, the ploy continues.
As Above, So Below
From human wrapped candy to the treats of the archons, the basic idea is the same: as practitioners of black magic and trickery, the 'mighty' of this world always wrap their poison in the shiny paper of ‘progress’, 'morality' or ‘inclusivity’. The treats may change, but the bitter taste of political correctness remains as foul as what is humanly abject.
These ruling elites, who act as willing agents of the matrix, occupy positions of power in order to better reverse situations: hypnotising the masses, projecting their guilt onto those who escape their control, and naming the culprits to be burned — yesterday at the stake, today through cancel culture and political or media purges.
And make no mistake about it: witch hunts are not some distant memory from the Dark Ages. In Africa (and other parts of the world), women and children are still being tortured and killed on the pretext of witchcraft, as reported by Amnesty International4.
When I look out my window
"Season of the Witch", Donovan (1966)
Many sights to see
And when I look in my window
So many different people to be
That is strange, so strange
You've got to pick up every stitch
Must be the season of the witch
The archons are forever recycling the same scenarios, not so that the trapped souls may learn — what's the point when memories are being erased and manipulated? — but to sustain the cycle which feeds them.
Endnotes
- ^ In Greek mythology, Charon or Kharon is a psychopomp, the ferryman of the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. In some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, as a viaticum for the soul's journey. The dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river.
- ^ In French, 'la magie' (magic) sounds exactly like 'l'âme agit' (the soul acts). As explained in a note below, due to its specific vibration French is the preferred language used by occult societies. Therefore, even if, in this particular instance, the language of birds doesn't work in your language, it still has the same vibratory impact in all the fractal layers of the matrix simulation.
- ^ Each language has a specific frequency that goes far beyond words. French ranks among the initiatory languages. Historically, it was and still is used in high occult lodges, particularly because of its rich and precise structure, which allows for complex codification of ideas and rituals.
- ^ Accused of being a witch, 90-year-old Akua Denteh was lynched and beaten to death in the streets of Mempeasem in July 2020. In some parts of Africa, witches are feared and hunted down. According to Amnesty International in Gambia, several hundred people have been arrested and detained. These people are tortured and forced to drink a hallucinogenic drink, compelling them to confess to witchcraft.
© La Pensine Mutine. All rights reserved. Reproduction prohibited.
No comments:
Post a Comment