What if everything you perceive as natural was actually a manipulation game? A perpetual cycle entrapping, influencing, and depriving you of your sovereignty.
This is the Problem-Reaction-Solution mechanism, the cornerstone of matrix control for obtaining your consent. A problem is created, a triggering event, a manufactured crisis, which prompts a reaction of fear, anger, helplessness, and demands a solution, a predetermined response that reinforces the matrix. This invisible, insidious pattern can be found everywhere. It dictates the way of the world.
Religions tell you that you are guilty, impure and need salvation. You blindly submit to some divinity, to their laws and dogmas.
Politics creates chaos, insecurity and economic instability. You thus demand a ‘saviour’, and in return your freedoms are taken away.
Economics generates financial crises, debt and inflation. Trapped populations are desperate for alternatives. The offered solution: centralised digital currencies, the ultimate control.
Disease, ageing and an imperfect, vulnerable carbon body allow technology to provide the ultimate solution: the merging of mankind with machines, and the loss of our very essence.
The media address loneliness, boredom and existential vacuums with unlimited entertainment, social networks and virtual realities... A golden prison.
Every area of your life is being orchestrated. But it gets worse...
When hope is almost spent, an external force steps in. A ‘divine light’, a ‘heavenly saviour’, a ‘spiritual guide’... You believe you are being protected, whereas in reality you are trapped.
Miracles biding you to the system. Salvation holding you indebted. Spiritual missions enclosing you in new roles. In the matrix, nothing comes for free.
So how do we get out of this bind?
The key is not to be found in a new belief or a new leader. The key lies within you.Genuine miracles never come from the outside. No one but yourself can ever save you. The matrix can only control those who surrender their power to it.
Open your eyes. Decode the deceptions. Reclaim your sovereignty.
I'm reposting this piece I originally published ten years ago as a tribute to my friend François, who passed away on 12th March this year, with a video clip I've just made. I think he would have loved it. Thanks for sharing and liking. Not for me, but for him.
Ey@el
While some time ago, I denied revelling in nostalgia, now at this point I got it full blast. That is because singer, songwriter, and founding member of the E-Rocket project (which became Sound Rocket after merging with another band called The Life) named after an electric rocket diagram designed by Nikola Tesla — a precursor of free energy —François Demercastel is someone I had the pleasure to know and enjoy as a friend in my younger days when we both regularly (well almost) attended an audiovisual school I shall not name. While our common taste in music (The Beatles, The Who, The Jam, to name a few) naturally drew us together, I owe him the discovery of many great bands such as The Plimsouls and Lone Justice. By chance (though there is no such thing as chance), we've now resumed contact through the very thing that got us together in the first place, a few decades ago and that is music.
The song below, performed by François on his own, accompanying himself on guitar, is actually an excerpt from a live podcast for a local radio in Rambouillet he recorded last year. As I said to him, soundwise, this version rather than his preferred one (which you may listen to HERE) was an obvious choice to me as it delivers the most accomplished performance yet, precisely because it has been stripped to its bare essentials—that is simple guitar-vocals powered by a catchy tune and a gimmick borrowed from The Beatles "I Feel Fine". Incidentally and funnily enough, "Gone Too Far" is replacing "Running On The Spot" by The Jam which was scheduled a long time ago (and will be published at a later date).
Gone Too Far
We could talk about the weather, We could talk about the war. All these days when nothing happens Seem as lonely years we've been wasted.
We could make plans for the future, We could act as if to be. You just see you won't be happy Staying here waiting for more.
But we were gone too far, Without living the place. We were gone too far, Got nothing else to fight for.
We could learn about each other, We could watch the world around. We cowardly stare at our feet That don't ever move anymore.
But we were gone too far, Round around the block. We were gone too far, Saying 'twas a lack of luck (Out of sight!)
There are countries you don't know. There are cities you don't know. There are people you don't know. There is something inside you that you don't show!
We could talk about the weather, We could talk about the war. All these days when nothing happens Seem as lonely years we've been wasted.
But we were gone too far, Round around the block. We were gone too far, Saying 'twas a lack of luck.
We were gone too far—Yeah! We were gone too far—Yeah!
François Demercastel
About this song
“This song is a bit special,” says François. “I wrote it in relation to the passing of time, the loss of dreams, the compromises we make out of material need—our gradual change of attitude towards life, politics, etc. More recently, this track has taken on a whole new dimension. My best friend since teenagehood, who used to be so lively, prematurely died of disease after living a rather sad life. For years, he had been making every effort to avoid seeing anyone from his "golden era". As the song says, I wonder what we would have talked about if we had met again. In this way, it ultimately took on a less "clichéd" and more personal overtone.”
While some may wonder why he chose to sing in English, he argues that he “once tried to sing in French, but to no avail. Besides, French is somehow an arrhythmic language in the sense that its stress accents do not always follow regular patterns. Therefore you need to be extremely talented, notably like Serge Gainsbourg, to truly succeed in combining the common four-beat signature of rock music—and of virtually everything that sets the pace of our lives today—with the French language that follows a different tempo. On the other hand, I fed so much on British and American rock, after a while it became sort of a normal and natural thing for me to sing in English.”
“It's been a great delight and quite emotional for me. I won't indulge in nostalgia, I promise! I shall do my best not to remain stuck and... "upside down"” he told me. Clearly, we're unlikely to run out of things to talk about given our overflowing Pensieves and Peter Panish souls. Now, if you enjoyed this song, you guys are invited to visit his band's website or skip directly to his Soundcloud page to listen to some more tracks. Any comments are also most welcome.
As ever a fan of bananas and peanuts and of quick, healthy and tasty desserts, I tested and enjoyed this soft and fluffy (flourless) brownies recipe, which takes no more than 30 minutes to make.
Process bananas and add remaining ingredients except peanuts and chocolate chips.
Transfer batter to a square silicone mould. For extra flavour, sprinkle with ground peanuts and chocolate chips.
Bake for 20 to 25 minutes at 180°C (test with the tip of a knife).
Unmould when cold and cut into small slices. May be served warm or chilled.
NOTE: You may use individual moulds. If so prefer shallower financier moulds to muffin moulds as they are a little tricky to unmould due to their consistency. If you don't like peanuts (or if you're allergic), you may replace them with almonds or hazelnuts and use almond or hazelnut butter in the same proportions.
In the Matrix movie, the red pill symbolises the awakening, the escape from the illusion. But often overlooked is the fact that this is generally achieved through another substance, an alternative programme, another filter on reality. A pill, whatever its colour, remains an ingested element which alters our perception. It may either be a remedy for opening our eyes, or a poison to entrap us in another illusion possibly even more insidious than the previous one.
Pills and the Addiction to External Truths
The pill analogy used on social media follows a very simplistic binary pattern:
The blue pill represents those who are ‘asleep’ and take in the illusion of the system without questioning it. It is the equivalent of narcoleptics, sedatives and other sleeping tablets in the pharmaceutical industry.
The red pill is regarded as the symbol of awakening, but in reality it often turns into dogma, a belief in which people think they ‘get it’ and try to ‘convert’ others. It is akin to amphetamines, boosters and other performance-enhancing drugs.
Newest addition to the arsenal of divisive measures and latest iteration of this dynamic is the black pill of the disillusioned who rejects everything, including those who call themselves ‘awake’. That would be the poison.
In any case, there is a constant feature: we keep swallowing something that comes from the outside, unconcerned whether we should ingest anything at all.
Case Study: The Manipulation Behind the Black Pill
Listening to this video (I'm afraid I have been unable to find the original version of this video in English since the person who dubbed it in French failed to provide any credits) which purports to expose black pills, you might think it aims at clarifying the situation. But in fact, it just reverses the very process it decries. It does so in a number of ways.
One of the first catches of her discourse is its incoherent logic.
On the one hand, she says black pills “don't believe in anything”. On the other, she claims they “believe that everything is a conspiracy”. How can you believe in nothing and yet have an absolute belief in something?
This contradiction is used to immediately discredit a position that challenges the prevailing narratives.
The video blames black pills for being emotional and easily manipulated, while claiming that they undermine the morale of truth seekers. But if truth seekers may be undermined by such ideas, it would suggest that they must be emotional and reactive too.
In fact, both emotion and polarisation prevail everywhere, and her argument uses this issue to project it onto a specific group.
“They don't have the ability to distinguish good from evil”.
They don't polarise and that's a problem for the matrix which relies on polarisation. Good versus evil. Truth versus lies.
Last but not least, the “lack of critical thinking” and “intellectual laziness” argument is a conventional technique for invalidating someone and ignoring their arguments.
Not believing in dogma but observing and analysing instead is the hallmark of any individual in search of genuine intelligence. Here, however, deep questioning is equated with laziness when in fact, quite the reverse is true.
This inversion of reality is a well-known propaganda technique: blaming others for what YOU do...
Through this attack on ‘black pills’, the video actually seeks to divide and invalidate any overall criticism of the system. It promotes a vision in which you have to take sides (red or blue, but not black) and denies the possibility that individuals may not subscribe to this binary structure at all.
Why such hostility towards all-out rejection?
Because those who reject everything have no taboo areas.
‘Red pills’ fancy themselves as truth seekers, yet their quest has well-defined boundaries. There are issues they don't want to discuss, lest it might undermine their own mental structure.
If you just look at those two things, the political ideology and the religious ideology, what they create is no-go areas where you will not research, you will not pursue, because you know that if you do, there's a very good chance that your political/religious ideology will be under threat.
And we see this with the so called right in politics, which has completely hijacked the alternative media in terms of the algorithmic promotion and finance. And they won't demand answers in areas that would put their heroes, like Trump and Musk etc. ,under question.
'Black pills’ are perceived as dangerous because they leave no room for intellectual comfort.
In the U.S., they use the word ‘hopium’, which is a contraction of hope and opium, to describe the numbing illusion of hope. And once again, hope is an expectation relying on external factors, which does not fit in with the concept of sovereignty.
‘Red pills’ need to believe that they 'got it' and that they're 'winning'. They cling to narratives which offer controlled hope, while preserving their worldview.
Red pills are but another programme of the matrix: a mental anaesthetic providing the illusion of awareness, thereby reducing our scope of vision.
Why Can't Certain Truths Be Accepted?
Everyone has a threshold beyond which their psyche freezes, lest it creates unbearable cognitive dissonance.
‘Red pills’ want to expose lies, but can't go all the way through: they need to maintain a consistent narrative structure to ensure they don't fall apart psychologically. Some realities are too extreme for them to absorb without a great deal of detachment.
Anxious not to fall into helplessness, they need an ‘identifiable enemy’ and a ‘possible solution’.
‘Black pills’ reflect back to them the fact that they are not ready to get to the bottom of it.
The Awakening Delusion: How to Switch Programmes Without Ever Changing the System
However, if this realisation entraps them into a new narrative, a new enemy, a new mission, then it's all just a change of programme within the matrix.
Yet even ‘black pills’ may become a trap as those who identify with the concept often succumb to cynicism and pervasive rejection. They may believe they can see beyond it, but in reality they are still caught in a reaction mechanism, which means they are still under the influence of what they're opposing.
The video clearly demonstrates that the ‘pills’ dynamic is no more than a play of opposites. While the ‘Blacks’ believe they have escaped the ‘Reds’ scam, they are actually caught into another delusion, that of total rejection. They're convinced they have a wider scope of vision, but in reality they're still trapped in a pattern of reaction, which only reinforces the matrix.
Blue pills blindly believe everything they are told.
Red pills think they got it and are out to convince everyone else.
Black pills reject everything and cut themselves off from any form of discernment.
At any rate, it's another way of being manipulated, because instead of trying to see for yourself, you adopt a binary stance (full belief vs. full rejection). The real awakening is not about choosing a new pill, but understanding why we still think we need to take one in the first place.
Withdrawal: How to Break That Pill Habit
If we really want to break free of the illusion, we have to realise that any ready-made truths, albeit alternative ones, are still mental constructs supported by our need for safety.
Breaking free means seeing without filters and dropping our must-categorise attitude.
Breaking free means we stop seeking external solutions and start thinking for ourselves, dismissing any proxy beliefs.
Beyond the red pill urge to convince and the black pill need to expose, there's another way: the path of the clear-eyed neutrality of the out-of-the-box observer.
Until we do stop playing this game, we'll be forever stuck in that pill habit.
The only true way out is not to be found with coloured pills but in refusing to swallow anything at all.
In this matrix of delusion, operating mainly through manipulation, diversion, division and confusion, many people equate opinions and beliefs with truth, thereby confusing it with reality, which is immutable, whereas truth is a matter of polarisation, the other side of which is lies, making it purely subjective and, by definition, dependent on our perceptions.
For 35 years now, David Icke has been warning us against these pitfalls, inviting us to shed our blinkers and biases. Most of his avant-garde ‘theories’, described as 'far-out', may have been proven to be true, still people keep calling him crazy, criticising him for not offering any solutions. To those, he replies:
Read the books, mate - nearly 30 of them to choose from and you'll see solutions. The bad news is that it means YOU doing something rather than someone else doing it for you. It makes me laugh - or cringe - that so many can't see that exposing the way the Trump-Musk Psyop is scamming you and leading you to the same AI control as Klaus Schwab is actually a 'solution'.
They should carry on following their saviours and when they finally see how shafted they have been - some can already - at least I won't have to share their embarrassment. You do realise that people revealing the truth were once called 'conspiracy theorists' (coined by the CIA)?
Now the former 'conspiracy theorists', morphed into Trump-Musk propagandists, label those that are still revealing the truth as being 'black pilled'. Oh, the bloody irony. The Trump-Musk propaganda is an endless flow on X minute by minute supported by algorithms that guarantee millions of views, but I push back as best I can amid blatant shadow banning and I am the problem? I would find a mirror and reassess if I were you.
In the above video, which is an abridged version of a recent one-and-a-half-hour interview conducted by Josh Sigurdson of World Alternative Media (which I also translated and dubbed into French), he talks about what he describes as ‘no-go areas’ for research being potentially dangerous to the survival of any political ideology or religious belief.
“And so I'm coming at this, and I have been all along, without any of that baggage. What that means is you will go where the information and the evidence take you. You don't have no-go areas.”
He also talks about the conspiracy to control human perception (“And where does perception come from? From information.”); the hijacking of alternative media to replace the mainstream; the useful idiots appearing out of nowhere who are being promoted by algorithms; the return to left-right political polarisation; the MAGA psyop (which, by the way, means ‘magic’ in Latin, hence Musk's “I am dark gothic MAGA” at Trump's pre-electoral rally at New York's Madison Square Garden, back in 2024, to be taken literally as “I am a dark gothic magician”) to neutralise resistance to the transhumanist agenda advocated by Schwab and the World Economic Forum. Don't forget how crucial and essential consent is.
To Musk who, by the way, declared two weeks ago on Joe Rogan's show (an alternative media veteran who's now singing a different tune), “If I fully destroy the corruption, they will kill me”, he replies:
But you won't because that's not the idea. You are simply changing the nature of the corruption to usher in the AI controlled global society. Yes, the 'they will kill me' 'anti-establishment man' who gets massive government contracts from government, the Pentagon and NASA including a Starlink spy satellite system for government and the military called Starshield.
“Reuters revealed in 2024 that this contract ... between the National Reconnaissance Office and SpaceX [is for] a spy satellite network consisting of hundreds of satellites functioning as a swarm. The satellites will have imaging capabilities, and the satellite network will enable the US government to have continuous surveillance of nearly anywhere around the globe.” That guy.
He also mentions the technocratic oligarchs who are all gathering around Trump. And, of course, China and its social credit system, which is in the process of being westernised after having been tested and perfected at length since the Mao revolution. And last but not least, his ban from the Schengen area countries being renewed for another two years, which both mainstream and alternative media make no mention of whatsoever.
And, as always, the useful idiots, great sermonisers who've never read any of his books but still share preconceived proxy opinions, unashamedly accusing him of controlled opposition. Some even go so far as to say that ‘if he were really dangerous, they would kill him’. And so based on this assumption, if I were the agents of the Matrix, I certainly wouldn't try to eliminate David Icke for that very reason.
As Rabelais would say, “I'm not afraid of wolves, but of sheep".
Circus is a reflection of society, with its three main characters: the White
Clown, Auguste, and the Ringmaster, namely the president, the people and the
police.
Alexis Grüss
Crystal ball, gumballs, clown nose... these monthly challenges are going to
make me lose my marbles! So we're back to the fairground world with a 3 of
Diamonds warning us against distractions deviating us from our targets. All
the trivia diverting our attention and bringing chaos in our lives.
Interestingly, some old card reading schools would remove the accursed card
from the deck to avoid ”introducing deception in the reading”, while
others have given it another meaning: one of silence. “In a world constantly filled with noise and where we always want to extract
the most meaning and experience out of everything it is sometimes worthwhile
to pull back and be silent.”
What the Hell Is This?
Deriving from Latin word circus, which is the romanisation of the Greek
kirkos, meaning ‘circle’ or ‘ring’, the first circus games were
allegedly staged by Circe in honour of her father Helios, the Sun God, and
later popularised by the Romans. During the Middle Ages, as large circus
buildings had fallen out of use, itinerant performers, animal trainers, and
showmen would travel between towns throughout Europe, pioneering the circus as
we know it today.
But what kind of circus are we talking about? The traditional circus featuring
acrobats, tightrope walkers, jugglers, horse trainers, lion tamers, clowns,
magicians, and the like? Or is it the political media circus, shown over and
over again on all TV channels, bucking us for big bucks? Oh, well, it's all
the same anyway.
Slogans, war paint What a great carnival A perfect world Look
at the world It's a great carnival
What about the acrobatics of financial wizards juggling with figures? Or rogue
riders horsing around? Or crowd tamers and fire-eaters, all in this to the
neck and working for the Bearded Lady and her unbalanced Rigmaster — the
latter performing ever more perilous high-wire acts, with the tail of his coat
between his legs and his top hat at rock bottom? What about straight-faced TV
clowns, with their nose on red alert after one line too many that blew up the
mule? Who's fault is it that all hell breaks loose?
Not My Circus, Not My Monkeys
So what is this matrix circus? Controlled chaos providing continual
distraction in order to hijack humanity's focus on spirit? An orchestrated
illusion meant to hold dormant awareness into a false sense of reality? Or a
hall of manipulation, where all actors (politicians, journalists,
spiritualists, etc.) play a role designed to help direct the energy of the
people towards preset patterns?
I must confess that, ever since I was a child, I have always hated circus, for
some reason I couldn't explain. But today, I can.
Circus shows are repetitive, endless cycles re-enacted in a variety of ways,
but following the same structure. This ties in with the cyclical nature of the
matrix, maintaining an illusion of change, whereas in reality, souls are
trapped in a recurring programme in which history keeps repeating itself over
and over again.
The big top is an enclosed space, decorated so as to create an illusion of
spaciousness, when it's actually limited. A bubble cut off from reality, just
like the matrix, which prevents us from seeing universal circuits. An
artificial world distracting us from taking a look beyond. A temporary setting
that looks real for as long as you're in it, but vanishes as soon as you step
outside (in the same way that reconnecting with your spirit shatters
illusions).
Before the eyes of the sleeping masses — passive souls taking in whatever is
thrown at them, never seeking to grasp its true nature, but applauding or
booing at the whim of the ringmaster —, jugglers, acrobats and high-wire
performers all try to keep their balance on the tight rope between electric
pulses from their spirit and astral magnitudes, at the risk of falling into
the recycling nets of the matrix. These people won't let boos, applause, drum
rolls or spotlights distract them anymore. They know how to jump from track to
track, like virtuoso DJ's.
Archontic tamers use coercive methods to control incarnated souls (fear,
reward/punishment, repetitive training) and the latter obey without ever
understanding the true purpose of their conditioning. At the end of their
performance (incarnation), they are returned to their astral cage (death)
until the next show in a continuous loop.
Squeezed in a costume with Masonic colours and Mad Hatter (or magician) top
hat, the ringmaster stages the show, sets the rules, and imposes roles behind
the scenes. The demiurge fully corresponds to this manipulative figure running
the matrix and showing up only in indirect forms (religions, messianic
figures, karmic laws). Ringmaster... Lord of the Rings, how uncanny.
Send in the Clowns
What about clowns? Just like human avatars under the influence of astral
entities, they're entertainers, yet their laughter often covers up deep
sadness. They are being ridiculed for wearing (social) masks and playing
absurd roles, but do not understand why they have to.
My makeup is dry and it clags on my chin I'm drowning my sorrows in
whisky and gin The lion tamer's whip doesn't crack anymore The
lions they won't fight and the tigers won't roar So let's go and drink
to the death of a clown Won't someone help me to break up this crown?
The earliest documented clowns have been found in Ancient Egypt and also in
Greek and Roman theatre, prior to developing into court jesters in the Middle
Ages. Originally a comic character, over time, the clown archetype has been
progressively diverted to the sad clown figure (quite reminiscent of the
Pierrot character) and later, to the scary (or evil) clown, giving rise to
coultrophobia.
Although a number of theories suggest that the fear of clowns is directly
linked to their face painting, some also point to the similarities between
clown apparitions and the cultural representations of demons. In addition,
Steven Schlozman, a psychiatrist at prestigious Harvard Medical School,
explains how the medieval jester might contribute to this modern vision of the
scary clown: “In the Middle Ages, clowns would pay dearly for failing to make the king
laugh. Many jesters had their face mutilated into a permanent smile.” (source)
Within the demiurgic matrix always resorting to inversion and deception, the
clown embodies a seeming duality in which he is meant to provide laughter and
entertainment, while concealing his dark and sinister nature.
The best-known evil clowns are undoubtedly Stephen King's Pennywise (It); Ronald McDonald of
McDonald's restaurants; and the Joker from the
Batman series. These three figures embody different aspects of matrix corruption.
Just like the archons, Pennywise, a shapeshifting entity who lives in the
depths and feeds on the fear of children, is the archetypal astral predator.
Under a harmless, playful guise, it traps its victims in delusion before
devouring them.
Ronald McDonald, on the other hand, is not directly scary, but conditions people to self-destruction by associating toxic food with fun and games, creating an emotional bond at a young age that will make food addiction all the stronger later in life. He's related to fairground clowns and symbolises the abuse of innocence for vibratory enslavement purposes (junk food drastically lowers frequencies). Like the demiurge, he is a false benefactor claiming to offer happiness when, in reality, he's providing poison.
Last but not least, the most complex of the threesome, the Joker, differs in that he embodies the agent of matrix chaos. He rejects social order and seeks to destroy the matrix; he is out of control and operates without any apparent logic. He seems ‘aware’, but he is still trapped by the matrix. He thinks he can fight his way out of the system, yet he 's part of the show. He's not seeking mental sovereignty but complete destruction — such energy is being recycled by the matrix for self-perpetuation as chaos is but another controlled illusion to prevent individuals from truly awakening.
Other significant features of the Joker are his scars, reminiscent of the mutilations inflicted on medieval jesters and on children in paedosatanic rituals. Various motives include destroying original identity; inverting the sacred, as the face is connected to the soul (disfigurement aims to wipe out any trace of the divine); and harnessing suffering and trauma in order to generate energy to sustain astral entities.
What's more, in various occult traditions, masks (such as the clown's) are thought to facilitate possession, allowing entities to use the body as a vessel.
Put simply, the evil (or demonic) clown is a powerful matrix figure standing for the deceptive duality of the system (joy/suffering, illusion/reality); the energetic consumption of fear (Pennywise) or flesh (Ronald McDonald); organised chaos (the Joker, who destroys but does not liberate); and corruption of childhood (satanic rituals, psychic manipulation).
Ha! ha! said the clown Has the king lost his crown?
When are we going to break the ring of fire, unseal our eyes and lips and stand up to the maniacal sniggering of mad hyaenas, laughing at the dark antics of uptown mountebanks mocking our every steps? Let's break up the crown of the false king and reclaim our inner kingdoms. Here and now.
Welcome to the exploring of the 7 pillars of the matrix, the invisible foundations conditioning our souls in this delusional world. Understanding these pillars is to identify the manipulation mechanisms and learn how to elude them.
Let's immerse in this hidden reality.
1. Fear
It is the ultimate weapon of the matrix. From birth, it keeps us in a state of subjugation: fear of judgement, fear of failure, fear of the unknown.
To overcome fear, you need to realise that it's just an illusion, a projection of the astral. In developing supraconsciousness, we transcend these instincts and rediscover our inner power.
2. Subjugation
We are conditioned to obey authority figures whether political, religious, or societal. This conditioning is a servitude implant that prevents us from attaining our full potential.
To overcome it is to regain personal power; stop blindly adhering to external dogmas; and act as a sovereign being.
3. Illusion
Everything we perceive - time, matter, emotions - is just a hologram, a false reality preventing us from grasping the ultimate truth.
Questioning all our perceptions, understanding that physical reality is a mirage and developing a supraconscious vision is how we may elude it.
4. Guilt
One of the most subtle pitfalls of the matrix. Guilt entraps us in a self-punishing cycle, encouraging us to suffer in order to ‘evolve’.
Understanding that guilt is a form of manipulation frees us from the tyranny of the ‘lords of karma’ who persuade us that we must atone for our sins.
5. Duality
Good versus evil. Light versus darkness. This world is designed to hold us in an unnatural state of balance, preventing us from achieving unity.
We elude duality in refusing polarisation; in understanding that these concepts are astral constructs; and in adopting a state of neutrality and balance.
6. Thought Control
Our thoughts are constantly under the influence of astral parasites.These entities are injecting ideas to keep us in a state of confusion and reactivity.
Learning to discern our own thoughts from those that have been implanted is essential if we are to disengage from them. And for those who have the capacity, developing systemic telepathy in order to receive pure, undistorted information.
7. Mind Pollution
Constant mental noise prevents us from accessing our true intelligence. This overload saps our energy and keeps us in the matrix.
Practicing mental silence is a way of overcoming it; observing our thoughts in a detached way; rejecting mental parasites to allow the pure intelligence of spirit to emerge.
The Chakras
Furthermore, there's a connection between the pillars supporting the fabric of the matrix and the access points known as ‘chakras’. Look closer and you will see how each entry wheel reflects one characteristic of a given pillar. Both pillar and chakra permeate and reinforce each other, creating a tight mesh entrapping the creature in a preset archontic frequency structure.
Planetary programming is based on those pillars, and whenever we succeed in targeting a memory or recurring pattern and neutralising it, it modifies the wave of the corresponding chakra. This is part of the transmutation process affecting and retuning the brain, securing the chakras, and modifying the blood's chemical contents.
The matrix is a collective programme that cannot be changed. But at the individual level, each person may begin to experience some dissonance within the matrix world and develop an understanding of its impediments.
FR
