The Cat

I would like to dedicate this jazzy Aristocats-like track — a true piece of anthology from our French Rolling Stones — to my reckless Tomcat who feared nothing but the flea powder and whom I miss so much especially today. Cat's really you!1

Ey@el

Le Chat

Claws in
The love robber
Is a cat
He enjoys night
Lights

Dancing along
Easy, gentle
He goes
Where he pleases
Leaves anyway he can

In the midnight hour
He's behind you
All that glitters is his

Around Place Pigalle2
Or Place de l'Étoile3
No passageway's too tiny
For the little scoundrel

Jumping from
One chimney to the other
Raffish, hot-eyed
This intriguing animal
With a vertical grin
Doesn't know when he hurts

In the midnight hour
He's behind you
At noon, he's away

Claws in
The love robber —
The cat
Is back

Well, this is the end!4

Endnotes

  1. ^ Pun made out another songtitle by Téléphone called "Ça, c'est vraiment toi" (That's really you).
  2. ^ The Place Pigalle is a public square located in the 9th arrondissement of Paris, between the Boulevard de Clichy and the Boulevard de Rochechouart, near Sacré-Cœur, at the foot of the Montmartre hill.
  3. ^ The Place de l'Étoile (Square of the Star) is a large road junction in Paris, the meeting point of twelve straight avenues including the Champs-Élysées. It was renamed Place Charles de Gaulle in 1970 following the death of General and President Charles de Gaulle but it is still often referred to by its original name.
  4. ^ Sung in English in the original lyrics.

Original text by CORINNE MARIENNEAU translated from French by EY@EL
© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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Rockin' in the Free World

There's colors on the street
Red, white and blue
People shufflin' their feet
People sleepin' in their shoes
But there's a warnin' sign on the road ahead
There's a lot of people sayin' we'd be better off dead
Don't feel like Satan, but I am to them
So I try to forget it, any way I can.

Keep on rockin' in the free world,
Keep on rockin' in the free world
Keep on rockin' in the free world,
Keep on rockin' in the free world.

I see a woman in the night
With a baby in her hand
Under an old street light
Near a garbage can
Now she puts the kid away, and she's gone to get a hit
She hates her life, and what she's done to it
There's one more kid that will never go to school
Never get to fall in love, never get to be cool.

Keep on rockin' in the free world,
Keep on rockin' in the free world
Keep on rockin' in the free world,
Keep on rockin' in the free world.

We got a thousand points of light
For the homeless man
We got a kinder, gentler,
Machine gun hand
We got department stores and toilet paper
Got styrofoam boxes for the ozone layer
Got a man of the people, says keep hope alive
Got fuel to burn, got roads to drive.

Keep on rockin' in the free world,
Keep on rockin' in the free world
Keep on rockin' in the free world,
Keep on rockin' in the free world.

Neil Young, 1989

About this song

The book Shakey by Jimmy McDonough claims the song originated, when Young was on tour in the late 1980s. He and Frank "Poncho" Sampedro saw newspaper photos of the Ayatollah Khomeini's body being carried to his grave as mourners were burning American flags in the street. Sampedro commented, "Whatever we do, we shouldn't go near the Mideast. It's probably better we just keep on rockin' in the free world." Young asked if Sampedro intended to use this idea as the basis of a song and when Sampedro said no, Young said that he would do so instead. However Khomeini's death occurred months after the first live performance of the song.

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How to Apply Ink Print Effects on Photos

The following tutorial is based on Paint Shop Pro but may easily be adapted to any image editing software running on Windows and supporting .8bf filters such as Photoshop, GIMP, PhotoFiltre, etc.

Materials

  • a preferably well-contrasted colour or b/w photo
  • some free external filters to install into the Plugins folder of your image editing software before launching it:
  • Fluorizer
  • Split Contrast

Instructions

1. Open a copy of the image you wish to manipulate.

2. Apply Arithmetic :

    Image 1 = current picture
    Image 2 = current picture
    Function = Add
    Channel Image 1 = green
    Channel Image 2 = blue
    Divisor = 1
    Bias = 0

3. Apply Ormente - Fluorizer filter.

4. Apply UnPlugged - Split Contrast filter:

    Light = 39
    Dark = 128

5. With the Magic Wand (tolerance 10), select the sky then fill with white. Unselect.

6. Select the black areas of the trees using the Free Hand then press Delete.

8. Fill the erased zones by cloning some trees with the Cloning tool.

9. Enhance.

NOTE: The choice of colour channel may vary according to the original RGB colour cast of your picture. The external filters are optional and may be replaced by a combination of existing effects. The setting of Split Contrast may also need to be adjusted to your picture. Steps 5-8 may not apply to your chosen picture. Finally, to add a more realistic touch, I also applied a paper texture.

For the above portrait, I have used another (free) filter instead of Fluorizer (A head in the cloud from the Andrew's Filters series) and set Split Contrast to different values. The background was repainted using both standard brush and airbrush tools and I applied Gaussian noise to the overexposed zones of his jacket.

© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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The Hobbean

Mr Bean is the best natural antidepressant I know: I only have to look at his face to burst out laughing and feel good. Just imagine Bean (I'm not talking about Sean) had been Baggins (and not bagged in) for the casting... what a great Hobbit he would have been!

© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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The Battle of Evermore

You may not know it yet, but a big fan of The Lord of The Rings. It also happens that Led Zeppelin IV, the album this epic track is taken from, is my one of my all-time favourite records. Although the article reposted below says nothing about it in spite of the direct mention of the Ring Wraiths in the lyrics, to me this folky song is directly inspired by Tolkien's books. I would even say that the Queen of Light and the Prince of Peace are certainly referring to Galadriel (bearer of the Ring of Light and often called the White Lady) and Aragorn (lone ranger and heir of the throne of Gondor). As for the apples mentioned twice, they could be a reference to the fruit that gave birth to White Tree of Gondor which is dying from the evil spreading over Middle-Earth.

Ey@el

Queen of Light took her bow and then she turned to go
The Prince of Peace embraced the gloom and walked the night alone

(Oh, dance in the dark of night, sing to the morning light)
The dark Lord rides in force tonight, and time will tell us all
(Oh, throw down your plow and ho, rest not to lock your homes)
Side by side we wait the might of the darkest of them all

I hear the horses' thunder down in the valley below
I'm waiting for the angels of Avalon, waiting for the eastern glow

The apples of the valley hold, the seeds of happiness
The ground is rich from tender care, Repay, do not forgetno, no

(Dance in the dark of night, sing to the morning light)
The apples turn to brown and black, The tyrant's face is red
(Oh war is the common cry, pick up your swords and fly)
The sky is filled with good and bad that mortals never know

Oh, well, the night is long the beads of time pass slow
Tired eyes on the sunrise, waiting for the eastern glow

The pain of war cannot exceed the woe of aftermath
The drums will shake the castle wall, the ring wraiths ride in blackride on!

(Sing as you raise your bow, shoot straighter than before)
No comfort has the fire at night that lights the face so cold
(Oh dance in the dark of night, Sing to the morning light)
The magic runes are writ in gold to bring the balance back — bring it back!

At last the sun is shining, the clouds of blue roll by
With flames from the dragon of darkness, the sunlight blinds his eyes

Robert Plant, 1971

About this song

On the third song from Led Zeppelin’s epic IV, Robert Plant introduces his Queen of Light character, who will become so central for the album’s pièce de résistance, “Stairway To Heaven.” (Read the recent Behind The Song for “Stairway” and our Legends profile of Robert Plant, both from the Jan/Feb 2011 issue.) Like “Stairway” and so much of Zeppelin’s imagery, “Evermore” is influenced by Celtic mythology and, according to Stephen Davis’ biography Hammer Of The Gods, also by works like Robert Graves’ White Goddess and Lewis Spence’s Magic Arts In Celtic Britain.

“Evermore” is even more directly inspired by the fifteenth and sixteenth century Anglo-Scottish wars, mostly fought along the border of the two countries, which Plant had been reading about prior to writing the lyrics. While the lyrics can today seem a tad cliché, they very much recreate the stark space of a battle song. Most Zep enthusiasts already know the story of the song’s creation — a chance incident of guitarist Jimmy Page picking up bassist John Paul Jones’ mandolin at the band’s rented country house-cum-studio, Headley Grange, in East Hampshire, England, during the recording sessions for what would become the band’s fourth album. Sandy Denny, the one-time singer of Newport Convention, was invited to play the role of the Queen of Light. The archetype re-emerges in “Stairway” as the May Queen and seems to also pervade “Going to California” (itself an homage to Joni Mitchell).

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Peter Pan

Tomorrow life will be falling under a spell
When sleep should only affect your clothes
Tomorrow the night will be fading out
Wiping out but our realities

Tomorrow life will be falling under a spell
When time disappears
And I can be Peter Pan
And move to Nowland

Still the gates are closed
And it's hard to get in
And I won't grow up anymore
After all these years

I wish to stay this way my entire life
I wish to stay the way I am
I will stay this way my entire life
I will stay the way I am

A little fairy will be rocking me
Enchanting my cradle
I can become a hero
And ask for eternity

To climb up walls
And never leave without you
We won't grow up anymore
We want eternity
Come on, we wish to stay this way our entire lives
Forever kissing
I will stay this way my entire life
I will stay the way I am

Now, after all these years, we have reached
Eternity...
After all these years, we have reached
Beauty, beauty

Come on, I wish to stay that way my entire life
I wish to stay the way I am
Enjoy everything forever
I will never change

I wish to stay this way my entire life

Original text by NICOLA SIRKIS translated from French by EY@EL
© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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MK Ultra

Having withdrawn from music for a very long time, I discovered Muse through David Icke's website whereas on its forums there's now an ongoing controversy as to whom the British threesome's assumed “allegiance” goes to since their involvement in the London Olympics ceremonies and their sudden retraction regarding “conspiracy theories” priorly heralded as their manifesto. I picked up this song due to topic raised in here: mind control and Project MKULTRA that will be the subject of a forthcoming article.

Ey@el

The wavelength gently grows,
Coercive notions re-evolve,
A universe is trapped inside a tear.

It resonates the core,
Creates unnatural laws,
Replaces love and happiness with fear.

How much deception can you take?
How many lies will you create?
How much longer until you break?
Your mind's about to fall...

And they're breaking through
They're breaking through
They're breaking through
(We are losing control)

They're breaking through
They're breaking through
And they are breaking through,
They are breaking through,
Now we're falling,
We are losing control

Invisible to all,
The mind becomes a wall.
All of history deleted with one stroke

How much deception can you take?
How many lies will you create?
How much longer until you break?
Your mind's about to fall...

And they are breaking through,
They are breaking through,
They are breaking through,
Now we're falling,
We are losing control

Matt Bellamy, 2009

About this song

"MK Ultra" has an electronic sound and powerful, "spidery" riffs. The end riff bears similarity to the main riff of Slither by Velvet Revolver.

Matt said, "This song is about brain washing and the psychological manipulation that has been going on in the world, behind closed doors and via the media during the 20th century."

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