Bones

Oh nooooooo, not again! I guess you must be seriously pissed off with my massive doses of Radiohead (fortunately, not all of you). Please, note, however, that this is a Pensieve so in some way it's almost normal. Now, this song was greatly needed given the increase in people around me who are all “crippled cracked” and spend most of their time either at the physio or at the hospital, swallowing pills to ease their aches and pains and all the hoopla. These lyrics are for you guys. What's more, it's a f***ing great song, one of my favourite should I say. May all these good vibes fix you all up, yeeeaaaaaaaah!

Ey@el

I don't want to be crippled cracked
Shoulders, wrists, knees and back
Ground to dust and ash
Crawling on all fours

When you've got to feel it in your bones
When you've got to feel it in your bones

Now I can't climb the stairs
Pieces missing everywhere
Prozak painkillers

When you've got to feel it in your bones
When you've got to feel it in your bones
And I used to fly like peter pan
All the children flew when I touched their hands

When you've got to feel it in your bones
When you've got to feel it in your bones

Original text by THOM YORKE
© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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How to Embed Animated Pictures in Photos

Today, there are many free online or downloadable applications to create animated GIF from videos. Such a commonplace manipulation, you might say. Let's use the idea to embed the animations you'll make (or find) into still images with a little bit of ingenuity for striking and totally original look. As always this tutorial is based on Paint Shop Pro which is the image editing software I use, but it's very easy to adapt it to any other program provided you master the basics. In order to do so, you'll find a link to download the companion application to Paint Shop Pro while it was still manufactured by JASC now available as abandonware (therefore free). It runs on Windows only (though Linux users might be able to run it on Wine?), but there are many similar applications that you may use instead. The important is to get the idea, then you can always find different ways to achieve it.

Materials

• a photo featuring a item large enough to embed an animation into it (binoculars, camera lens, eyeglasses, mirror, window, TV, photo frame, etc.)
• an animated GIF
• Animation Shop (installation required)
• Lens reflection (optional)

Instructions

1. Open animated GIF in Animation Shop. Select all frames (CTRL+A) and using File - Save images as menu, save as PSP file for Paint Shop Pro, making sure you check “Save as layers”. If you use another image editing software, save as JPG and you'll paste all images separately. Before importing, note duration under each frame as you will need it later on.

2. Open your multi-layered PSP image in Paint Shop Pro. In the Layer palette, click on Image 0 at the bottom to activate it and add a new layer group. Drag the other layers into the group respecting their order so that the last image is still at the top. Resize all layers if necessary that is if your animation is to large to be contained in your chosen item.

3. Open a copy of the picture you wish to embed the animation into. Resize if necessary and convert its unique layer to raster layer (essential in order to add a transparent zone).

4. Now is the most difficul part: use the Freehand or Eraser tool depending on the complexity of the shape the area to outline and select the zone that needs to be erased in order to embed the animation. Once selected, press Delete (except if you used the Eraser).

5. Copie the layer group from the animation and paste it into your picture. Move the single original layer on top. Reposition the animation correctly so that it fills the transparent area (since all layers are linked, moving a layer in the group will move the remaining others as well). I also rotated each layer in the group by 15 degrees clockwise so as to match the angle of the shot.

6. If you embed your animation in a glass object like I did (binoculars/ camera lenses, eyeglasses or else), you may add a top layer to make it more realistic and paste (or create if you know to do it) a reflection. Open a copy of the provided lens reflection and resize it to match your outlined zone then copy it and paste it as a new layer just below your original still pic and above the layer group. For the above picture, I had to paste it twice as I have two lenses and set the layer blend mode to Overlay. Since the effect wasn't strong enough, I duplicated each lens layer and set the blend mode of the copies to Dodge. Actually, it all depends on the pictures you will use so you need to experiment and see what looks best.

7. Now comes the most tedious step where all your layers must be visible and you need to copy merge them, launch Animation Shop (unless you didn't close it) and Paste as new animation. Back in Paint Shop Pro, toggle the visibility of the last layer of the group (the top one), Copy merge again and Paste as new frame before active frame in AS. Repeat these last steps, toggling the visibility of one more layer at a time respecting the descending order until you have used them all.

8. In AS, your animation should have as many frames as the layers in your group. Select all and and set duration (ALT+Enter) according to the value you noted on step 1.

9. Launch the Optimisation Wizard (via File menu) and choose “Animated GIF File” then click Next. Choose “Best Quality” then click Customise.

Colour tab:
- Number of colours: 255
- Optimised Octree
- Error diffusion

Optimisation tab:
- All options checked

Click OK then Next to start optimisation. Now you can save your animation as GIF file via the File menu.

NOTE: For the above example, after outlining the camera lens, I contracted the size of my selection, chose a feather value equalling the value of my contraction (in pixels) so as to get a seamless result. Since the original lens surface was totally opaque no additional reflect was necessary.

Have fun, let your imagination run wild and above all, be creative!

© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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The Opportunist

L'opportuniste

I am all for communism,
I am all for socialism,
And for capitalism
For I'm an opportunist.

While some contest,
Demand, and protest,
The only thing I know
Is how to change sides.
I always stand
On the safe side.

I'm not afraid of free-riders
Or even agitators,
I trust the voters,
And take the opportunity to make my pile.

While some contest,
Demand, and protest,
The only thing I know
Is how to change sides.
I always stand
On the safe side.

I belong to all parties,
I'm of all parts,
Involved in all factions,
I am the king of converts.

While some contest,
Demand, and protest,
The only thing I know
Is how to change sides.
I always stand
On the safe side.

I cry “Long live the revolution”
I cry “Long live the establishment”
I cry “Long live the demonstrators”
I cry “Long live the collaborators”

I never contest,
Neither demand nor protest,
The only thing I know
Is how to change sides.
I always stand
On the safe side.

I've changed sides so often,
My ground is falling apart.
On the next revolution,
I shall stand on my head^†.

Endnotes

• In the original lyrics, an idomatic expression is used for changing sides which literally would translate as “turning my coat inside-out”. On the last verse, the coat is falling apart so he says next time he'll turn his trousers inside-out.

Original text by JACQUES DUTRONC translated from French by EY@EL
© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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Sierranon

What exactly is Sierranon? In truth, this is pure theory as I'm not certain for sure. I first heard the name in a dream where in order to escape a place where I was held prisoner, I had to write an essay on Sierranon. Was it a person? A place? I don't know and the further course of the dream never provided any clue. However, upon waking up it occured to me that it was a Spanish word meaning "odd mountain" — that which is uneven and therefore not subject to duality; that which is not akin to anything. As words failed to express my gut feeling about Sierranon, I attempted to complete my assignment combining various bits and pieces of pictures (the true language of dreams). What if, like the Lonely Mountain of the dwarves in search for the Arkenstone in Tolkien's book, Sierranon was just the secret dwelling of our imagination? Or perhaps the guardian of all the riches within?

A mote in the eye of the beholder
A forged memory to play with
The illusion one must let go of
To finally pass the threshold

© La Pensine Mutine. All rights reserved. Reproduction prohibited.

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Boris the Spider

Look, he's crawling up my wall
Black and hairy, very small
Now he's up above my head
Hanging by a little thread

Boris the spider
Boris the spider

Now he's dropped on to the floor
Heading for the bedroom door
Maybe he's as scared as me
Where's he gone now, I can't see

Boris the spider
Boris the spider

Creepy, crawly
Creepy, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly

There he is wrapped in a ball
Doesn't seem to move at all
Perhaps he's dead, I'll just make sure
Pick this book up off the floor

Boris the spider
Boris the spider

Creepy, crawly
Creepy, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly

He's come to a sticky end
Don't think he will ever mend
Never more will he crawl 'round
He's embedded in the ground

Boris the spider
Boris the spider

Original text by JOHN ENTWISTLE

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